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Myleene Klass looks effortlessly chic in a zebra printed maxi dress and smart blazer cinched with a Chanel belt as she arrives at Smooth Radio after the actor's retirement over aphasia Jason Oppenheim breaks down over 'very difficult' break-up from the 'love of his life' and admits he'll 'never love someone like her again'īruce Willis' daughter Scout goes bra-less under clinging crop top as she walks dog Grandma in LA. Martin Roberts says he has 'got another shot' and is planning to spend more time with family after horrifying health scare left him 'hours from death' after warning Cowell to watch his speed in Britain's Got Talent judges' motor raceĪnne-Marie puts on an animated performance in a PVC puff dress in Glasgow for her Dysfunctional tour
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Hence my bias, there is much in this film that is intensely personal.but even if this were not the case, I would still recommend the artistry of this movie and it's passion to anyone.Helen Flanagan flaunts her taut physique in a plunging red bikini as she shares a snap from her recent family getaway to Dubaiĭavid Walliams smashes his car into bollard. Culturally the film is a trip down memory lane, the music, the politics, the clothing and decor all take me back to 1984, the year of my eighteenth birthday, when my father was one of those striking miners, my mother and the other mothers ran the kitchen in the local church hall. Not sure how this film will travel internationally, a bit parochial, but then I thought the same about Billy Elliott and that seems to have done OK. Jessie Cave, Ben Schnetzer, Sophie Evans, George Mackay and Freddie Fox all perform keenly and will have done their rising stars no harm here. Much humour is placed in the two cultures coming together and throughout there are themes of coming out, for both communities the subtle and insidious nature of discrimination, the hegemonic control it exerts when backed by powerful media presentation, the opportunism of the bitter and resentful, and the damage that is wrought upon families and communities when work is alienated from the individuals identity. Paddy Considine as Dai is the somewhat unwitting emissary who meets with the group in London and speaks powerfully and clearly to the community there and to the rather more conservative community in his home town as to the nature of solidarity. Bill Nighy plays a beautifully understated, quiet and thoughtful role in contrast to the ebullient Imelda Staunton, matriarchal doyenne of the small Welsh mining town that is the focus for solidarity expressed by LGSM.
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don minifie-1Ī fabulously rich movie with a superb mix of talent relating the victories of human relationships over and above the overwhelming power of political ideology in partnership with business. The miners are defeated and return to work but at the Pride march the following year a vast contingent of miners show up to repay their comrades with their show of support. When a bigot tries to sabotage the partnership with a tabloid smear Mark turns it back on her with a hugely successful benefit concert to which most of the villagers, now thoroughly in tune with their gay friends, turn up. Almost by accident a mini-bus full of gays find themselves in the Welsh village of Onllwyn in the Dulais valley and through their sincere fund raising and Jonathan's nifty disco moves persuade most of the community that they are on the same side. Not only are gays being threatened by Thatcher but the miners are on strike in response to her pit closures and Northern Irish activist Mark Ashton believes gays and miners should show solidarity. In 1984 20 year old closet gay Joe hesitantly arrives in London from Bromley for his first Gay Pride march and is taken under the collective wing of a group of gay men and Lesbian Steph, who meet at flamboyant Jonathan and his Welsh partner Gethin's Soho bookshop.